{"id":2120,"date":"2025-05-21T09:13:22","date_gmt":"2025-05-21T07:13:22","guid":{"rendered":"https:\/\/giovannellaberni.com\/reviews\/"},"modified":"2025-07-18T13:41:15","modified_gmt":"2025-07-18T11:41:15","slug":"reviews","status":"publish","type":"page","link":"https:\/\/giovannellaberni.com\/en\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"\t\t
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Sandra Salvato<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Presentation of \"Words of Fire and Honey\"
BZF, Florence, February-March 2006<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The years in which Stendhal wrote, “I love young painters who have fire in their souls and sincerity of spirit,” can easily be ascribed to the present, having learned the sequel and become acquainted with the new protagonists. Among them is Giovanna Berni, made of flesh and blood, of delicate shores stirred by an Impressionist legacy and a New Age current. Ancient and new, foreign and familiar, like the opposites that coexist and find repose in art after their outburst.<\/p>

From the geometric features typical of architectural study to those commanded by the heart, suggested by a powerful femininity that, like a flood, bursts the banks and breaks the lines to bring them back to the warmth of a clear painting, full of meaning, true and strong, with the earth in mind. The narrated world has the energy of the life-giving element, fire, and the abstractness of a continuous reflection on the meaning of things.<\/p>

Echoes, whispers, memories\u2014the entire inner world materializes in a palette where momentum builds and dream and reality blend. Far from having a single master, and perhaps also drawing on late-19th-century Tuscan painting, Berni presents an exhibition that draws attention and synthesises contemporary visual art.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Rosanna Chetta<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The new frontier of informal art through Giovanna Berni's four collections: Whales Music Wave, Walking Color, Color Bath, and Tomato War<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Giovanna Berni stands out as an eclectic artist with a sensitive and altruistic soul. A bioarchitect, Siddhi Woman, she is an artist distinguished by a career spanning publications and other noteworthy projects.
When first approaching her art and viewing her works online, you’re immediately shocked: feelings and emotions are mixed. The mind remains intrigued and
seeks to understand the hidden message, while the heart is immediately captured, without the need to delve into further details.<\/p>

And this is just one of the many nuances of her experience in the fields of NFT and artistic photography.
Observing the works in her collections, one immediately realizes that they need to be carefully studied, viewed, and perceived from different perspectives. We are faced with a new concept of material-informal art.
If in the early 1950s, informal art was seen as an evolution of abstract art, today, following the artist’s vision, we see it as something beyond, impossible to label.
Giovanna Berni’s NFTs convey her hope for humanity, but also her hope to change the world. Works such as “Green Women,” “Cigarettes,” and “The Old Man and the Child,” part of the Whales Music Wave collection, in their apparent simplicity, deliver a clear message of condemnation against the elements poisoning today’s world. And it is precisely here that we find the evolution of informal art: the ability and desire to use art as a communication channel for one’s message, using a powerful language.
Moving on to the analysis of works included in the Walking Color collection, we find ourselves faced with a different scenario: more colorful and consequently more sensorial and visually satisfying: Angel Feet, Chiara 3, and Basquiat 6 place color at the foundation of the multiple relationships that can be established between the artist and the viewer.
The material compositions found in his other collections (Color Bath and Tomato War) remind us how the primordial power of matter emerges with extreme impetuosity, recreating a completely innovative epic, directing us to a new awareness of the world made of color and hope.
Her vision of the world overturns the boundaries of the human being, drawing on a freedom of language that serves as innovative inspiration, breaking down all the compositional limits that have defined conceptual space.
To achieve a whole range of effects of amazement, involvement, and shock, fear, and
persuasion, the artist Berni employs a neo-avant-garde conception of artistic thought, condensing all the psychological precepts that grip the art world.
Her ability to assign images, through photographic experience, the role of investigated mystery helps accentuate the diverse nuances of an exhaustive technique, which captures in time a feeling of boundless meditation.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Sandra Salvato Presentation of “Words of Fire and Honey”BZF, Florence, February-March 2006 The years in which Stendhal wrote, “I love young painters who have fire in their souls and sincerity of spirit,” can easily be ascribed to the present, having learned the sequel and become acquainted with the new protagonists. Among them is Giovanna Berni, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2120","page","type-page","status-publish","hentry"],"yoast_head":"\nReviews - Giovannella Berni<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/giovannellaberni.com\/en\/reviews\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reviews - Giovannella Berni\" \/>\n<meta property=\"og:description\" content=\"Sandra Salvato Presentation of “Words of Fire and Honey”BZF, Florence, February-March 2006 The years in which Stendhal wrote, “I love young painters who have fire in their souls and sincerity of spirit,” can easily be ascribed to the present, having learned the sequel and become acquainted with the new protagonists. 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